Jeremiah Brent Brings Back Wavy Accents in His Elegant New Designs

Straight lines had a good run. They built empires, boxed in open-concept kitchens, and helped a whole generation discover the joy (and terror) of perfectly aligned grout. But lately? Interiors are loosening up. Corners are softening. Edges are rippling. And if you’ve been spotting scalloped silhouettes, undulating wood details, and furniture that looks like it’s mid-dance move, you’re not imagining thingswavy accents are officially back.

Few designers are making the case for curves as convincingly as Jeremiah Brent. Known for spaces that feel polished but lived-in, Brent has been weaving waves into rooms in a way that reads more “elegant and storied” than “theme-park seafoam.” From scalloped tables in his Modern Parisian restaurant project in Los Angeles to sculptural forms across major retail collaborations, he’s proving that a little movement can make a space feel warmer, calmer, and (ironically) more timeless.

Why Wavy Accents Feel So Right Right Now

The return of curves isn’t randomit’s a reaction. For years, modern interiors skewed crisp: sharp profiles, linear cabinetry, black-framed everything. Beautiful, yes. But also a little… stern. Wavy accents soften the mood without forcing you into frills. They introduce motion and easetwo qualities people crave when the world outside the front door feels like it’s buffering.

Curves also play nicely with the broader shift toward nature-inspired design. You don’t see many perfectly straight lines in a shoreline, a tree branch, or a stone slab. Wavy edges echo what we already find comforting: organic forms, gentle repetition, and asymmetry that doesn’t try too hard. In other words, waves look “designed,” but they don’t look “desperate.”

Brent’s Signature: Elegant, Relaxed, and Always a Little Playful

Jeremiah Brent’s work has long lived in the sweet spot between refined and approachable. Even when a room is dressed in quiet neutrals, it rarely feels flat. There’s usually a story in the materialsan aged finish, a handcrafted texture, a silhouette that nods to history without cosplaying as a museum. That philosophy carries into his more recent designs and product lines, where contrast and “collected-over-time” character are the point.

Waves, in this context, aren’t decoration for decoration’s sake. They’re a tool: a way to add softness to structured spaces, to make clean palettes feel human, and to keep a room from looking like it was assembled by a robot with a ruler and no feelings.

Where the Waves Show Up in Jeremiah Brent’s Designs

1) The “Modern Parisian” Curve Moment: Juliet in Los Angeles

If you want proof that wavy accents can feel upscale, look at Brent’s restaurant design workespecially Juliet, a Los Angeles project with a “Modern Parisian” attitude. Instead of leaning into predictable L.A. vibes, the space draws from European modernism and classic café intimacy. One of the most charming wave details? Tables with scalloped edgesan understated flourish that reads tailored, not twee.

What makes that move smart is the balance: scallops are the “fun friend,” but they’re surrounded by grounding elementstextured seating, rich woods, and architectural gestures that feel confident. The wave becomes a punctuation mark, not the entire sentence.

2) Small-but-Mighty Waves: Mirrors, Sconces, and the Art of the Edge

Wavy accents don’t need to arrive as a massive curvy sectional that takes over your zip code. Brent often uses waves in smaller doses where they have outsized impactespecially around edges and outlines. Think scalloped mirrors that add whimsy to an otherwise minimal wall, or a wavy sconce that breaks up pinstripes and rigid patterns in a bedroom.

This is one of the most practical lessons from Brent’s approach: if the room already has structure (grid tile, striped wallpaper, linear paneling), introduce one fluid form to keep the eye moving. A mirror frame, a lamp silhouette, even hardware can do the job. The wave doesn’t fight the geometry; it melts itpolitely.

3) Outdoor Curves That Still Feel Grown-Up

Outdoors is where many people get nervous about style choices. (Will it fade? Will it rust? Will the chair look “cute” in a way that makes you uncomfortable?) Brent’s take on outdoor design leans classic in material and modern in line: ironwork-inspired forms with fluid curves and rounded details that feel sculptural rather than precious.

The takeaway: you can introduce waves without switching your whole aesthetic. A wave can live comfortably beside traditional elementsespecially when the palette stays grounded and the materials feel substantial.

The Big Stage: “The Collected Home” and the Return of Sculptural Elegance

Brent’s recent collaborations have made his design language more visibleand more usable for everyday homes. In a major home collection with Crate & Barrel called The Collected Home, he leaned into layered references: Art Deco glamour, Viennese Secession geometry, Cubist edges, and bold silhouettes reminiscent of the ’70s and ’80s. That’s a lot of influence to juggle, but the point is evolutionnot a single-note “trend look.”

The collection emphasizes materials with presencelinen, ironwork, wicker, marble, thick-cut glass, and finishes that feel storied rather than shiny-new. That material depth is one reason wavy forms work here: curves feel more sophisticated when they’re paired with weight, texture, and patina.

Pieces like a Deco-leaning sofa softened with slouchy pillows capture Brent’s broader strategy: pair a “serious” silhouette with something inviting. The same idea shows up in furniture that hides storage in sculptural shapes, lighting that plays with geometry, and vessels inspired by travel and personal history. In Brent’s world, a home isn’t “decorated”it’s narrated.

Waves in Textiles: Rugs, Pillows, and Bedding That Bring Movement Without the Remodel

Not everyone is ready to commit to a wavy credenza (and honestly, your bank account deserves consent). Textiles are where the wavy comeback becomes incredibly livable. Brent’s rug and pillow collaborations tap into pattern, texture, and linework that nods to architecture and memoryoften in earthy, nature-based palettes that play well with both modern and classic interiors.

Rugs are especially good at “quiet movement.” A subtle wave motif or a rippling texture can make a room feel layered even when everything else is calm. Pillows do something similar on a smaller scale: a curved edge here, a soft stripe there, and suddenly your straight-backed sofa looks less like it’s reporting for duty.

Bedding is another sneaky place for wavy accents to shine. Brent’s bedding work highlights how print and color can echo nature and architecturethink organic motifs, soft stripes, and palettes that feel warm instead of sterile. Even if your bedroom furniture is all rectangles, textiles can supply the curve energy.

How to Use Wavy Accents Without Overdoing It

The fastest way to make wavy decor look expensive is to use it intentionally. The fastest way to make it look like a costume is to use it everywhere at once. Here’s how to keep the eleganceand skip the “I redecorated during a sea shanty phase” vibe.

Pick Your Wave Scale: Micro, Medium, or Statement

• Micro: scalloped trim on a tray, curved cabinet pulls, a fluted vase, or a subtle wave in a lamp base.
• Medium: a scalloped mirror, a wavy sconce, a side table with an undulating apron, or a rug with a ripple motif.
• Statement: a curved sofa, a sculptural credenza, an arched built-in moment, or a dramatic, wave-edged headboard.

Let Straight Lines Do Their Job

Curves look best when they have something to contrast. Pair a wavy mirror with a clean-lined console. Add a curved chair to a rectangular dining table. Put a rippling rug under a structured sofa. This “space in between” balanceopposites in harmonyis what keeps Brent’s wave moments from feeling themed.

Ground the Playfulness With Texture and Patina

Wavy accents can skew youthful if everything is glossy and bright. To keep them elevated, bring in materials that read timeless: warm woods, iron or aged-looking metals, linen, stone, thick glass, and ceramics with handmade character. Even a neutral palette can feel rich when the surfaces do the talking.

Use Waves Where Movement Matters

Waves work particularly well in transition zonesentryways, hallways, and corners that otherwise feel like dead space. A scalloped mirror or a curvy sconce can make a “pass-through” area feel like a destination. In bedrooms, a wavy light fixture can soften the repetition of stripes or grid-like patterns. In dining areas, scalloped edges invite people to lingersubtly signaling comfort and hospitality.

Why Brent’s Wavy Comeback Feels Timeless, Not Trendy

The secret isn’t the wave itselfit’s the restraint. Brent doesn’t treat wavy accents as a gimmick. He uses them the way great designers use any strong detail: as a rhythm setter. A curve here leads the eye there. A scallop breaks the severity of a straight edge. A rounded silhouette makes a room feel more welcoming without sacrificing sophistication.

He also anchors the whimsy in history. References to Art Deco, European modernism, and craft traditions give the curves credibility. When a wave feels connected to architecture, furniture history, or material truth, it stops being “cute” and starts being classic.

A Few Real-World “Wave” Experiences (and What They Teach You)

Imagine you’re walking into a room that’s mostly calm: soft neutrals, clean upholstery, a couple of vintage pieces that look like they’ve earned their keep. Then your eye catches one small detaila scalloped mirror, maybe, or a lamp shade that curves like a gentle ribbon. The first thing you notice isn’t “trend.” It’s movement. The room feels less posed, more alive, like it’s mid-breath. That’s the underrated power of wavy accents: they change the emotional temperature without forcing a full redesign.

In practice, waves also change how people interact with a space. Guests touch curved edges more than they touch straight onesalmost unconsciously. A rippled glass lamp or a thick, sculptural vase becomes a conversation starter because it feels tactile and human. Even kids respond to curves: a rounded silhouette reads friendlier, and in high-traffic areas it can be forgiving (your shins will still find a way, but at least the furniture isn’t trying to win).

There’s also a styling lesson you only learn after living with curves for a bit: waves like breathing room. If you crowd a scalloped mirror with lots of small decor, the shape gets lost. But if you let it stand alone over a simple consolemaybe one ceramic vessel and a stack of booksthe outline becomes the art. The same goes for wavy lighting. A curvy sconce looks best when the wall isn’t competing for attention; it needs negative space the way a great outfit needs tailoring.

Shopping for wave pieces is its own mini-adventure. Vintage stores are full of “accidental waves”tables with scalloped aprons, curved-front cabinets, chairs with rounded backs. The trick is choosing ones with good bones and letting them act as your one playful note. If you bring home three different wavy shapes in three different finishes, the room can start to feel like it joined three clubs and can’t commit. One wave anchor, then supporting players that stay quiet.

Outdoors, the experience is different but just as telling. Curved ironwork and rounded details feel nostalgic, like classic garden design, but they also read modern when the forms are simplified and the materials feel intentional. Add one water elementmaybe a small fountainor candlelight at night, and suddenly the curve theme doesn’t feel decorative; it feels atmospheric.

Finally, the best “wave” experience is the one that looks effortless over time. That’s the point of a collected approach: you can start with one scalloped mirror today, add a rug with subtle movement later, and eventually land on a room that feels layered and personalnot like you copied a showroom in a single afternoon. Wavy accents, when used the Brent way, aren’t about making your home look trendy. They’re about making it feel like you live there beautifully, comfortably, and with a little bit of swagger in the silhouette.

Conclusion

The wavy comeback isn’t just a visual trendit’s a mood shift. Jeremiah Brent’s elegant new designs show how curves can bring softness, movement, and warmth to modern spaces without sacrificing polish. Whether it’s a scalloped edge in a restaurant that feels like a Paris daydream, a sculptural piece that looks storied from day one, or a subtle ripple in a rug that makes a room feel more layered, the message is clear: a home doesn’t have to be rigid to be refined.

If you’re curious, start small. Let one wave into the room. Watch how it changes the energy. Then decide whether you want a gentle rippleor a full-on, elegant tide.