If you’ve typed “Kattie Morrowick” into Google and gotten a mix of bookish posts, audiobook credits,
and arts-community breadcrumbs… you’re not imagining things. The name shows up in a few different corners of the
internet, often alongside the spelling “Katie Morrowick”. And that matters, because in the modern
creator economy, one extra “t” can mean the difference between “Oh, found her!” and “Why is the search engine
showing me a Na’vi from Avatar?”

What we can say with confidencebased on public listings and profilesis that Katie (often seen as Kattie)
Morrowick is a multi-hyphenate creative with work across audiobook narration,
writing, and community-building around arts and culture. She’s credited as the
narrator on multiple audiobooks (including both fiction and business/marketing titles), writes a cozy literature
newsletter, and is connected to a creative community platform called Muses in the City.

Who Is Kattie Morrowick?

Think of “Kattie Morrowick” less like a single, neatly boxed job title and more like a modern creative résumé that
refuses to sit still. Across publicly visible channels, Katie Morrowick presents as:

• An audiobook narrator with credits in fantasy/fiction and marketing/business topics.
• A writer behind a literature-focused newsletter (“Katie’s Literature Corner”).
• A community-oriented creative associated with “Muses in the City,” centered on arts and culture.

That combination is increasingly common for creators right now: storytelling across formats (audio + written),
paired with community spaces where people can actually meet, talk, and feel less like they’re shouting into the
algorithmic void.

Kattie vs. Katie: Why the Name Appears in Different Ways

Online, you’ll see both Kattie Morrowick and Katie Morrowick. The “Kattie”
spelling appears in at least one community-content context, while “Katie” is the spelling tied to her audiobook
narration and newsletter identity.

This isn’t unusual. Creators often have:

• Platform-driven naming (a site account created years ago with a slightly different spelling)
• Brand consistency upgrades (later standardizing on the name used in professional credits)
• Search quirks (autocorrect and “Did you mean…?” results muddying the waters)

If you’re researching her work, it helps to search both spellings, plus identifiers like
“audiobook narrator”, “katiesliteraturecorner”, or “Muses in the City”.

Audiobook Narration: Where Katie Morrowick Shows Up Most Clearly

Audiobook platforms and retailer listings are often the most “official” digital paper trail for narrators because
they’re structured, standardized, and tied to commercial releases. Katie Morrowick is credited as a narrator on:

1) Long-form fiction and fantasy

One of the most visible fiction credits is A Story Spun in Scarlet (from the “Tales of Wonder and Woe”
series), where she’s listed as the narrator for a lengthy, immersive audiobookexactly the kind of project that
tests a narrator’s stamina, consistency, and character differentiation.

She’s also credited on Daughter of the Deep (Book 1 of “The Children of Lyr”), another fantasy-leaning
titlesuggesting a lane where atmosphere, pacing, and emotional tension matter as much as clean pronunciation.
And yes, fantasy fans can be lovingly intense about names. Narrators survive on two things: preparation and the
ability to say “Mathonwy” with confidence at 2 a.m.

2) Business, marketing, and SEO titles

Interestingly, her credits aren’t limited to fiction. She’s also listed as narrator for marketing and business
audiobooks, including titles such as SEO Boost: How to Be Found on Google, Brand Storytelling, and
Hacking the Content Marketing Code.

That range matters. Narrating business audio is a different skill set than narrating fantasy:

• Clarity over theatrics (listeners want “actionable,” not “dramatic monologue”)
• Credible authority (your voice has to sound like it knows what a funnel is)
• Rhythm that keeps attention (because marketing books can get spreadsheet-y fast)

When a narrator can toggle between fictional worlds and practical instruction, it’s a sign of versatilityand a
good hint that they’ve built a voice practice that’s more than one “character.”

Katie’s Literature Corner: Cozy Newsletter, Serious Love for Stories

Another major “Kattie/Katie Morrowick” thread is her writingspecifically her newsletter presence under
“Katie’s Literature Corner – Enchanted Ramblings”. The overall vibe is intentionally comforting:
reflective, aesthetic, and creativelike a warm mug of tea, but in paragraph form.

The newsletter’s description frames it as a regular letter “delivered by a friendly dragon” (which is exactly the
kind of whimsy the internet needs more of). It promises notebook writing, creative encouragement, reflection, and
inspirationless “hot take machine,” more “come sit down, exhale, and remember you’re a person.”

A standout theme: reading as time travel

In one post, she reflects on that surreal feeling when you’re reading and suddenly realize the words were written
by someone else in another timeyet they land in your mind now. She uses classic literature as an example
(including Frankenstein) and describes moments that connect reading to place and memory.

It’s the kind of writing that makes readers feel seen because it names a quiet, common experience: books are
portals, and sometimes you don’t even notice you’ve stepped through until you’re emotionally ambushed in a
bookstore aisle. (The worst/best kind of ambush.)

Muses in the City: Arts, Culture, and Community-Building

Beyond individual creative work, Katie Morrowick is also connected to Muses in the City, described
in public podcast and event listings as a community platform that aims to make arts and culture more accessible,
inclusive, and joyful.

In at least one event listing, she’s explicitly described as a co-founder and is introduced with a
creative multi-skill setartist, drummer, photographer, writer, and audiobook narratorwhile providing closing
remarks for a panel focused on community-building women and creative networks.

That combination (creative practice + organized community space) is worth paying attention to, because it reflects
a bigger shift happening right now:

• People want culture with connection, not just passive consumption.
• Creators are building “third spaces”places outside home and work where community forms.
• Storytelling is expanding from “content” into lived experiences (events, meetups, shared rituals).

In other words: it’s not only about making art. It’s about making the conditions where art can be shared, discussed,
and turned into real relationships.

What Kattie Morrowick Represents in 2026 Creator Culture

Even if you’ve never listened to an audiobook she narrated or read a single newsletter post, the pattern of
her public footprint tells a familiar modern story:

A multi-platform storyteller

Audio narration is storytelling through performance. Newsletter writing is storytelling through reflection. Community
projects are storytelling through shared experience. Different mediumssame core impulse: connect people through
words, voice, and meaning.

A practical creative (not just “vibes”)

Narrating business and SEO audiobooks suggests she’s not only living in fantasy worlds (though that sounds fun). She’s
also engaging with practical, skill-based contentanother sign of a creator who understands that creativity and
sustainability often have to hold hands.

A community-oriented builder

Muses in the City signals a move beyond solo creation. That’s the direction a lot of creative careers go once the
creator realizes the secret truth: your work gets better when you’re not doing it alone, and your life gets better
when you’re not doing it alone either.

How to Find the Right “Kattie Morrowick” Online (Without Losing an Afternoon)

If you’re searching for Kattie Morrowick and want to avoid unrelated results, try these search strategies:

• Use both spellings: “Kattie Morrowick” AND “Katie Morrowick.”
• Add a role keyword: “audiobook narrator,” “Substack,” “Muses in the City.”
• Search by title: look up a specific audiobook credit and confirm the narrator name on the listing.
• Use platform filters: Audible/Amazon for narration credits; Substack for newsletter posts.

FAQ

Is “Kattie Morrowick” the same person as “Katie Morrowick”?

Public references strongly suggest the same creative identity appears under both spellings, with “Katie” more
consistently used for audiobook narration and newsletter work.

What is Katie Morrowick known for?

She’s publicly credited as an audiobook narrator on multiple titles and appears to write a literature-focused
newsletter while also being connected with arts-and-culture community building through Muses in the City.

What kind of audiobooks does she narrate?

Based on listings, her narration work includes both fiction/fantasy titles and business/marketing content (including
SEO-related audiobooks).

Experiences and Takeaways (Extra-Long, Because Stories Deserve It)

When people look up Kattie Morrowick, they’re often not just hunting for a résuméthey’re trying to
understand the feel of the work. What’s the experience of encountering her voice, her writing, or the
community projects she’s part of?

One of the clearest “experience snapshots” comes from her own writing. In her newsletter, she describes the moment
a reader suddenly remembers that every sentence in a book began as a private actsomeone, somewhere, wrote those
words before they became ink on paper. That observation sounds simple until it hits you mid-chapter and you realize
you’re holding a tiny time capsule.

She anchors that sensation with concrete sceneslike visiting a cemetery in London and noticing how written words
can outlive bodies, yet still feel intimate. She also mentions being in a bookstore in Kansas, far from the shops she
usually visits, and feeling that eerie comfort of familiarity anyway. Same object (books), different geographyyet
the emotional connection travels. That’s the kind of reader experience that’s hard to explain to someone who doesn’t
read: you can be “home” in a bookshop even when you’re very much not home.

Audiobooks add another layer to that experience: the story is no longer only the author’s words, but the narrator’s
interpretation. A narrator doesn’t just pronounce linesthey pace them, breathe through them, and shape the emotional
subtext. On at least one major listing for a long fantasy audiobook, reviews note that the narrator “enhanced the
story,” which is basically the gold-star version of “yes, this voice carried me through 20+ hours without me wanting
to fling my headphones into the sea.”

What’s especially interesting about Katie Morrowick’s public credits is the genre swing. If you listen to a fantasy
epic one day, and then a short, punchy marketing audiobook another dayboth narrated by the same voiceyou’ll notice
how different the listener experience needs to be. Fantasy asks for immersion: tone, atmosphere, believable emotion,
and character distinction. Marketing audio asks for clarity: structure, emphasis on key ideas, and a cadence that
makes concepts stick. When one narrator shows up in both spaces, it suggests a voice practice that’s intentionally
adaptablealmost like a musician who can play a slow ballad and a fast pop track without sounding like they’re
trapped in only one tempo.

Then there’s the community angle. Public event and podcast descriptions connected to Muses in the City
point to something many people are craving right now: cultural life with real connection. Not “networking,” not
“personal branding,” not “collecting contacts like Pokémon cards,” but a space where art and culture become the
starting point for belonging. If you’ve ever wanted to go to an exhibit, talk about it with someone who’s excited
(not bored), and then leave feeling more human than when you arrivedthat’s the kind of experience these community
descriptions gesture toward.

The big takeaway is this: Kattie (Katie) Morrowick shows up online as a person working in the “story”
business from multiple anglesvoice, page, and community. If you’re exploring her work, the fastest way to understand
it is to sample across formats: read one reflective piece, check one audiobook credit, and notice the thread that
runs through both. It’s the same idea wearing different outfits: stories connect people. Sometimes through centuries.
Sometimes through headphones. Sometimes through a room full of strangers who become less strange by the end of the
night.

Conclusion

“Kattie Morrowick” is one of those names that makes more sense the more context you gather. Public listings and
profiles associate her (most consistently as Katie Morrowick) with audiobook narration across fiction
and marketing/SEO titles, a literature newsletter that leans into reflection and creative comfort, and a community
initiative centered on arts and culture. If you were looking for a single label, sorryshe’s a multi-tab browser.
But if you were looking for the connective tissue? It’s storytelling, in the widest, most human sense.